Automatische concepten

Seeing the unseen

Underground / Inverse

Naar aanleiding van de tentoonstelling heeft het Indiaase Journal of Landscape Architecture een lang interview met veel beelden geplaatst: Seeing the unseen

An eye of water

Review by writer Miek Zwamborn about the exposition INVERSE in tijdschrift TERRAS (pdf).

 

An Eye of Water-MR-1

 

INVERSE – Underground 2014

Three articles about the exhibition Underground of the full INVERSE project in Indian newspapers:
3 articles about INVERSE project (pdf)

Article in BrickVision on roundabout De Hoef-2

The bricks for the roundabout in Bernheze are produced by Wienerberger Terca. In their magazine BrickVision an article was published on the project.

The bricks for the roundabout in Bernheze are produced by Wienerberger Terca. In their magazine BrickVision an article was published on the project.

De Hoef-2 Rotonde; artikel in BrickvisionDe Hoef-2 Rotonde; artikel in Brickvision (2,17 MB)

Desert Passage 2005

Desert Passage

In the fall of 2005, Anne Ausloos (Belgium), Jeroen van Westen and Gerco de Ruijter (both from the Netherlands) spent many weeks working in north-central New Mexico. Part of the time they were Artists in Residence at the Santa Fe Art Institute. After returning to Europe and presenting the results of their trip amongst others in Gent, Belgium, and Rotterdam and Amsterdam, the Netherlands, they decided to self-publish their findings in a limited edition artist book titled “Desert Passage”.

“Desert Passage” is not one book but four books in one. Each of the three artists has selected visuals (and texts) defining his or her New Mexico work. The fourth book was composed by Ton Haak, their Dutch-born guide who lives in Abiquiu, New Mexico, which was the focus of their New Mexico explorations. In his contribution, titled “High Desert Drifter”, Ton Haak writes about his more than 10 years in Abiquiu, his thoughts and experiences, and his collaboration with the three artists.

The four books of “Desert Passage” present different opinions, different experiences, and different artistic results four individual views, sometimes opposite, mostly strengthening each other. The cross references, correlations, and divergences provide a diverse yet interesting historic (visual) documentation of one of the last original deserts of the “Wild West”.

Anne Ausloos (1954) lives and works in Antwerp, Belgium. She teaches Ceramics/Glass Art at St. Lucas Academy of Art in Gent. Her work is non-conformist her material may be clay, but she is not a ceramist. Anne is foremost a researcher she explores the different and unpredictable qualities and reactions of clay, applies scientific processes, and preserves the results of her work in visuals that are, though not on purpose per se, oft esthetically astonishing.
www.anneausloos.be

Jeroen van Westen (1955), lives and works in Enschede, the Netherlands. His philosophy is that all landscape is readable any landscape tells how the culture which created it was or is related to the land and to nature. His work is presented in the form of temporary installations, performances, books, permanent structures, or a combination of these. Rather than placing a sculpture in the public space, the public space offers the material to construct a (visual) tale.
www.jeroenvanwesten.nl

Gerco de Ruijter(1961) lives and works in Rotterdam, the Netherlands. He is a photographer who does not use his view finder to take pictures. He attaches his camera to a kite. His landscape images are views of the earth from a few hundred feet up. Their perspective is unusual to say the least in absence of the traditional horizon and other expected references, the images become abstract registrations. Notwithstanding the quite large distance between camera and landscape, the images offer an extremely detailed commentary on the (changing) land. The composition of the images, carefully selected, also adds to a loss of touch with reality.
www.gercoderuijter.nl

Ton Haak (1943) lives and works in Abiquiu, New Mexico. In his writings (non-fiction, fiction and poetry) he expresses his continuing fascination with the expanse, colors and shapes of the high desert, and with its extraordinary people. The rich mixture of old Indian culture, contemporary Native American society, lasting Spanish influences, never ending immigration from Mexico, and slow Anglo-American penetration creates a society that in lifestyle, politics and even fashion is Central-American rather than North-American. Playing guide to the visiting three creative artists refired his love of the high desert.
tonhaak@valornet.com

DesertPassage-flyer-HarwoodMuseum DesertPassage-flyer-HarwoodMuseum (1,04 MB)

Mediated Vision 2007

Two fragments form a book edited by Petran Kockelkoren, published by Veenman Publishers and ArtEZ Press, 2007. On observations and how these are influenced by the media by which the observations are done.

Two fragments form a book edited by Petran Kockelkoren, published by Veenman Publishers and ArtEZ Press, 2007. On observations and how these are influenced by the media by which the observations are done.

Mediated VisionMediated Vision (2,76 MB)

Quiet Scapes OPEN nr 9

Essay by Julian Scaff in which the project Terra Incognita and more specific the hole in the souondbarrier (Lemniscaat) is discussed.
Appendix to the publication OPEN, Nr 9 in 2005, published by Skor, Amsterdam.

Essay by Julian Scaff in which the project Terra Incognita and more specific the hole in the souondbarrier (Lemniscaat) is discussed.
Appendix to the publication OPEN, Nr 9 in 2005, published by Skor, Amsterdam.

Quietscapes by Julian Scaff (3,15 MB)Quietscapes by Julian Scaff (3,15 MB) (3,15 MB)

Roundabout in Heesch

In BrickVision, a magazine published by the brick manufacturer Wienerberger Terca an article is published on the project for which they supplied the bricks. [link=/wp-content/uploads/brickvision_03_05.pdf]Click here[/linl] to download the pdf-file (2,2Mb).

review Open Studio SFAI in THE magazine November 2005

THE magazine is THE Santa Fe’s monthly magazine of the arts in northern New Mexico. in Volume XIII, number V, november 2005, a review was published on the project Cross References.

THE magazine is THE Santa Fe’s monthly magazine of the arts in northern New Mexico. in Volume XIII, number V, november 2005, a review was published on the project Cross References.

Review in THE, Santa Fe NM (USA), 2005Review in THE, Santa Fe NM (USA), 2005 (158 kB)

THE Magazine review open studio Cross References

Cross References: Open Studio at the Santa Fe Art Institute

“… Van Westen’s video of sparkling, tumbling water has the same sensibility, as if nature were somehow defenseless, and at the same time remains triumphant in its timelesness. Perhaps due to the likelihood of the imminent destruction of our natural environment, there is a beauty in this work that is dependent on the very proximity of it’s subject’s demise. Without trivializing their overlying language, Van Westen and De Ruijter’s works render it constant, a formal exploration of iconic nature.
Ausloos, working with the properties of local soils as they transform from silt to rock and back again, imparts a more conceptual underpinning to the project. But again, there is something so basic about the clay beneath us that working with it nearly any manner is sure to evoke an elegiac devotion to the material. The earth remains. At least, one can hope so.”
Kathryn M. Davis in THE Magazine, november 2005
Download complete review Click here